Las Vegas Sun

May 18, 2024

MUSIC:

Atmosphere’s Daley plays musical storyteller

However, rapper’s stories aren’t autobiographical

Atmosphere

Dan Monick

Rappers Sean Daley, foreground, and Ant Anthony Davis of Atmosphere will perform Tuesday night at the House of Blues in Mandalay Bay in Las Vegas.

Click to enlarge photo

Sean Daley, left, and Ant Anthony Davis, of Atmosphere, will perform Tuesday evening at the House of Blues at Mandalay Bay in Las Vegas.

If You Go

  • WHAT: Atmosphere's When God Gives You Ugly Tour, with special guests Eyedea & Abilities and Attracted to God
  • WHEN: 6 p.m. Tuesday
  • WHERE: House of Blues in Mandalay Bay
  • TICKETS: $22 to $25 at Ticketmaster.

Beyond the Sun

“The progress stops and pauses/spits and sputters like the basement faucet. And it’s obvious he’s lost in his regrets./You can smell it on his breath.”

Rapper Sean “Slug” Daley – half of indie-rap group Atmosphere – says “Painting,” about a man’s battle alcoholism, is one of his favorite tracks off 2008 album “When Life Gives You Lemons, You Paint That S**t Gold.” That doesn’t mean the tale of alcohol abuse and desperation is about him, however.

While Daley’s lyrics can sound intensely personal, most are the fictional product of paying very close attention to his surroundings.

“These songs are not autobiographical,” Daley emphasizes. “If they were, I’d be dead from alcohol poisoning.”

The 36-year-old has taken on the much-forgotten role of musical storyteller. His raps – paired with tracks and beats from DJ/producer Anthony “Ant” Davis – often read like vignettes, sketching a life in vivid miniature. On “Dreamer” he channels a struggling single mother with a heart condition. An aging homeless man is the protagonist of “The Waitress,” and Daley gets into the head of a young girl riding around in her father’s backseat on “In Her Music Box.”

“I don’t think that my songs are lies,” the rapper explains earnestly. “I’m just storytelling.”

While they might not be about his own experiences, Daley’s lyrics are highly realistic, more about the minutiae of daily life than the broad grandeur idolized by many of his fellow musicians. There’s no abstract wailing about love here. A phrase about “money and bitches” would sound as foreign on an Atmosphere track as Marilyn Manson would covering Katy Perry’s “Waking Up in Vegas.”

“I can’t sit here and write a story about an astronaut on cocaine, because I‘ve never been an astronaut and I’ve never done cocaine,” he says with a laugh. “[When I’m writing] I go through my mental Rolodex of stories that I know. I’ve been accused of being very observant and I pay attention to my surroundings more than I should. I memorize my surroundings.”

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